Baker Hall Audio

Sound Control

  • Sound booth, located at extreme house left 39′ from stage and 15′ above the audience.
  • Mixing console, located behind double sliding windows and is not suitable for live reinforcement.
  • House mix position at extreme house left in the audience x-over 44′ from the stage. At no time is audience egress to be compromised. There is no dedicated house mix position.

Mixing Consoles

  • 32-channel Crest X8 (FOH)
  • 24-channel Mackie (BOOTH)

Loudspeakers

  • Primary L/C/R system consists of three tri-amplified EAW ASR690e cabinets.
  • Balcony L/C/R/ system consists of two EAW MK2196B cabinets left and right. Center cabinet is an EAW UB8ZW. All three are delayed.
  • Front fill speakers consist of six EAW SL52 cabinets.
  • Two EAW SB528zPi subwoofers permanently mounted.
  • Six EAW SM129z stage monitors. Six mixes are available from the FOH console.
  • Four EAW JF80 cabinets mounted onstage for use as stage side fill monitors.
  • 32-channel Mackie Analog 8 is available as a monitor console.
  • All FOH speakers are controlled via a Symetrix SymNet DSP system. Software is kept up to date.
  • All loudspeakers are controlled by an Ashley Protea 1/3 octave graphic eq system.
  • All power amplifiers are Crown CTS series.

Audio Equipment

Equipment Type Brand/ Model # in Stock
Mixing Console Crest X8 RT-32 1
1/3 octave eq. Ashley Protea Foh & Monitors
Compressor/ limiter Presonus ACP88 1
Compressor/ limiter DBX 1066 1
Gates Drawmer Mx-40 1
Effects Yamaha Rev 500 1
Effects TC Electronics M-One xl 1
D.A.T Player Tascam DA-45HR 1
Mini-disc Player Tascam MD-30 MKII 1
Cassette player Marantz 1
CD player Tascam Cd-160 1
CD player Denon DN-C360 1
CD burner HHB Burn-It 1
Microphones Variety Variety
Microphone Stands Variety Variety

Monitor/ Intercom

  • Four-channel wired Clear-Com system with patch points throughout the theatre is available. Channel D is reserved for paging.
  • Two-channel, four-belt-pack BTR-800 Telex wireless system is available.
  • Key Technical Services and Audience Services staff use two-way radios to communicate as well.
  • Backstage monitors exist in most backstage areas. A three-position switch changes the theatre being monitored.

Company Switch

  • One 400-amp three-phase switch, located up stage right.
  • Tie-in must be arranged in advance.
  • Direct lug-in is allowable or “new style” cam-locks may be used; adaptors available.
  • An additional 400 amp three-phase switch, located in an adjacent theatre if needed. An additional 100′ of feeder cable is needed.